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Luciano Berio (1925-2003)

Luciano Berio, composerLuciano Berio is considered as one of the most important music innovators of this century. He studied composition and orchestral conducting at the Milan Conservatoire. In 1955 he founded, together with his friend Bruno Maderna, the studio of phonology of the RAI in Milan, where Luigi Nono soon joined them. This was the era of the first electro-acoustic discoveries (Thema / Omaggio a Joyce, 1958, and Allez-Hop, based on a text by Calvino, 1959). Between 1960 and 1972, he gave many classes in Darmstadt, Darlington, at Mill's College, at Harvard, at The Juilliard School, and at Columbia University. At the same time, he was becoming interested in rock and folk music, devoting essays to these forms, and frequently mingling them with his own compositions. The decade produced such works as Visage (The Face), Passagio, Folk Songs (1964, first version), Laborintus II, the Sequenza series: works which seem impregnated with all living forms. Berio indefatigably explored all the original domains of Western culture, in particular the voice, which he quite literally liberated. Cathy Berberian appeared in his life in the early 1970s - she gave the first performances of various works, including the second version on Folk Songs in 1973 - and became both his muse and the "instrument" most adapted to his studies. This period was also marked by scores such as those for Opera (1970), Linea and Points on the curve to find (1974), Cries of London, the continuation of The Sequenza, and Il ritorno degli Snovidenia. Despite becoming attached to the United States, where he continued to teach, Berio did not neglect his Italian background. His music remained rooted in life, he invented new forms where voice and instruments are pushed to the furthest limits of their virtuosity. At the heart of these compositions lie vocal and instrumental inflections close to jazz, the tension of the Japanese art of Noh, and the contemplative spirit of Indian music. He created "situations" in all areas: Coro (1976) is probably one of the high points of his work, an anthology of man, his adventures and his inner landscape. Until 1980, he was in charge of the electro-acoustic department of IRCAM in Paris, and became head of the branch of IRCAM in Milan. The 1980s saw a number of joint projects with Italo Calvino (La Vera Storia in 1982, Un Re in Ascolto in 1984). In 1987, he founded a research institute, Tempo Reale, in Milan. Luciano Berio is considered as one of the most important music innovators of this century.
-  Discogs

COMPOSITIONS                                                            Berio  Links     ~ ~ ~     Works by Genre
Pastorale, piano (1937)
Toccata, piano 4-hands (1939)
Preludio a una festa marina, string orchestra (1944)
L'annunciazione, soprano and chamber orchestra (1945; unpublished)
Due cori papa lori, chorus (1946, unpublished)
O bone Jesu, chorus (1946, unpublished)
Divertimento, string trio (1946)
Tre canzoni popolari, female voice and piano (1946-47; rev. as Quattro canzoni populari, 1946-7; rev. 1973)
Tre pezzi, 3 clarinets (1947)
Tre liriche greche, voice and piano (1946-48)
Due canti siciliani, tenor and male chorus (1948)
Ad Hermes, voice and piano (1948)
String Trio (1948)
Wind Quintet (1948)
Petite Suite, piano (1948)
Concertino, clarinet, violin celeste, harp and string orchestra (1949)
Magnificat, 2 sopranos, chorus and orchestra (1949)
Due pezzi sacri, 2 sopranos, piano, 2 harps, timpani and bells (1949)
Opus Number Zoo, speaker, 2 clarinets and 2 horns (1950; rev. for wind quintet, 1951; rev. 1970)
Wind Quartet (1950)
Tre vocalizzi, voice and piano (1950)
Sonatina, flute, 2 clarinets and bassoon (1951)
Deus meus, voice and 3 instruments (1951)
Due pezzi, violin and piano (1951)
El mar la mar, 2 sopranos and ensemble or piano (1952; arr. for soprano, mezzo-soprano & ensemble, 1969)
Study, string quartet (1952)
Mimusique no.2, orchestra (1952-53) [concert version of azione scenica]
Cinque variazioni, piano (1952-53; rev. 1966)
Chamber Music, female voice, clarinet, harp and cello (1953)
Mimusique no.1, 1-track (1953)
Variazioni, chamber orchestra (1953-54)
Nones, orchestra (1954)
Ritrano di citta, 1-track tape (1954) [collab. with Maderna]
Tre modi per supportare la vita (Mimusique no.2), azione scenica (1952-55)
Allelujah I, 6 groups (1955; rev. as Allelujah II, 5 groups, 1957-8)
Mutazioni, 1-track tape (1955)
String Quartet (1955-56)
Variazioni 'Ein Miidchen oder Weibchen', 2 basset horns and string orchestra (1956)
Serenata I, flute and 14 instruments (1957)
Perspectives, 2-track tape (1957)
Divertimento, orch (1958) [collab. w/Maderna; nos.2 'Scat rag' and 3 'Rhumba-ramble' (Mimusique no.2)]
Sequenza I, flute (1958)
Thema (Omaggio a Joyce), 2-track tape (1958)
Tempi concertati, flute, violin, 2 pianos and small orchestra (in 4 groups) (1958-59)
Differences, flute, clarinet, harp, viola, cello and tape (1958-59; rev. 1967)
Allez-Hop!, racconto mimico (1959; rev. 1968)
Quaderni I, orchestra (1959) [included in Epifanie]
Circles, female voice, harp and 2 percussionists (1960)
Momenti, 4-track tape (1960)
Epifanie, mezzo-soprano and orchestra (1959-61; rev. 1965; rev. 1991-92 as Epiphanies)
Quaderni II, orchestra (1961) [included in Epifanie]
Visage, 2-track tape (1961)
Passaggio, messa in seena (1961-62)
Quaderni III, orchestra (1961-62) [included in Epifanie]
Esposizione, azione scenica (1963) [destroyed]
Sequenza II, harp (1963)
Sincronie, string quartet (1963-64)
Chemins I on Sequenza II, harp and orchestra (1964)
Traces, soprano, mezzo-soprano, 2 actors, chorus, and orchestra (1964, withdrawn)
Rounds, voice and harpsichord (1964, withdrawn)
Folk songs, soprano and 7 instruments (1964; also version for soprano and orchestra, 1973)
Rounds, harpsichord (1964-65) [arr. for piano, 1967]
Laborintus II, 3 voices, 8 actors, speaker, ensemble and tape (1965)
Wasserkla vier, piano (1965) [orig. for 2 pianos]
Sequenza III, 1 voice (1965-66)
Sequenza IV, piano (1965-66)
Sequenza V, trombone (1966)
Gesti, recorder (1966)
Chemins II on Sequenza VI, viola and 9 instruments (1967)
Sequenza VI, viola (1967)
O King, voice, flute, clarinet, violin, cello and piano (1967-68; arr. and incl. in Sinfonia]
Chemins III on Chemins II, viola, 9 instruments and orchestra (1968)
Prayer-Priere, solo voice (1968) [for 40th birthday of K. Stockhausen]
Sinfonia, 8 amplified voices and orchestra (1968-69) [incl. arr. of solo vocal work O King]
Questa vuol dire che, 3 female voices, small chorus, instruments and tape (1968-69)
Air, soprano and orchestra (1969) [from stage work Opera]
Sequenza VII, oboe (1969)
Erdenklavier, piano (1969)
Opera (1969-70; rev. 1977)
Chemins IIb, small orchestra (1969-70) [rev. of Chemins II]
Melodrama, tenor, fl, cl, perc, vib, elec org, vln, vc, db (1970) [from stage work Opera ]
Memory, electric piano and electric harpsichord (1970; rev. 1973)
Bewegung, orchestra (1971)
Ora, soprano, mezzo-soprano, small chorus, flute, English horn, 12 insts and orchestra (1971, withdrawn)
Bewegung II, baritone and orchestra (1971) [after orch work]
Agnus,2 female voices, 3 cl, drone (elec org/other sound source) (1971) [inc!. in rev. of Opera]
Autre fois: berceuse canonique pour Igor Stravinsky, flute, clarinet and harp (1971)
Chemins IIc, bass clarinet and small orchestra (1972, withdrawn) [rev. of Chemins IIb]
E vo, soprano, fl, ob, 3 cl, tpt, trbn, perc, pf, elec org, vln, va, vc, db (1972) [incl. in rev. of Opera]
Recital I (for Cathy), voice and 17 instruments (1972)
Concerto, 2 pianos and orchestra (1972-73)
Still, orchestra (1973, withdrawn)
Eindrucke, orchestra (1973-74)
Cries of London, 6 solo voices (1973-74; rev. for 8 solo voices, 1975)
Per la dolce memoria di quel giorno, ballet, tape (1974)
Apres Visage, orchestra and tape (1974, withdrawn)
Points on the Curve to Find ... piano and 23 instruments (1974)
Linea, ballet, 2 piano, marimba, vibraphone (1974)
Calma, soprano and instruments (1974)
Musica leggera, flute, viola and cello (1974) [for 70th birthday of G. Petrassi]
A-ronne, radiophonic documentary, tape (1974)
Chants paralleles, tape (1974-75)
Chemins IV on Sequenza VII, oboe and string orchestra (1975)
Corale on Sequenza VIII, violin, 2 horns and string orchestra (1975)
Selezione, piano and chamber orchestra (1975???, withdrawn) [from Concerto, 2 pianos and orchestra]
Diario immaginario, chorus, orchestra and tape (1975) [radio work]
A-ronne, 8 voices (1975) [version of tape work]
Fa-Si, organ (1975)
Cora, 40 voices, 40 instruments (1975-76; rev. 1977)
Il ritorno degli snovidenia, cello and 30 instruments (1976-77)
Sequenza VIII, violin (1976-77)
Encore, orchestra (1978)
Les mots sonts alles, cello (1978)
Sequenza IX, clarinet (1980) [arr. as Sequenza IXb, alto sax, 1981]
Chemins V, clarinet and digital system (1980, withdrawn)
La vera storia, opera (1977-81)
Accordo,4 groups wind instruments (1980-81)
Duo, teatro immaginario, 2 violins, chorus, orchestra and tape (1982) [radio work]
34 duetti, 2 violins (1979-83)
Lied, clarinet (1983)
Un re in ascolto, azione musicale (1979-84)
Voci, viola and 2 instrumental groups (1984)
Sequenza X, trumpet and piano resonance (1984)
Requies, orchestra (1983-85)
Call, brass quintet (1985)
Terre chaleureuse, wind quintet (1985) [for 60th birthday of P. Boulez]
Luftklavier, piano (1985)
Naturale, viola, tam-tam and tape (1985-86)
Formazioni, orchestra (1985-87, rev. 1988)
Ricorrenze, wind quintet (1985-87)
Ecce: musica per musicology, voices and bells (1987)
Comma, Eb clarinet (1987)
Sequenza XI, guitar (1987-88)
Ofanim, female voice, children's chorus, 2 instrumental groups and live electronics (1988)
Concerto II (Echoing Curves), pf and orch (in 2 groups) (1988-89) [incl. rev. pts of Points on Curve to Find..]
Continuo, orchestra (1989)
Schubert-Berio: Rendering, orchestra (1989) [on fragments of symphony by Schubert]
Fesrum, orchestra (1989)
Canticum novissimi testamenti, S, S, A, A, T, T, B, B)/SATB, 4 clarinets and 4 saxes (1989)
Calma, mezzo-soprano and small orchestra (1989) [based on Calma, soprano and ensemble, 1974]
Feuerklavier, piano (1989)
Psy, double bass (1989)
Leaf, piano (1990)
Brin, piano (1990)
Chemins V on Sequenza XI, guitar and chamber orchestra (1992)
Nonurno (String Quartet No. .3) (1993)
Compass, ballet-recital, piano and orchestra (1994)
Twice upon .. ,6 groups children's voices, ob, cl, hn, tpt, trbn, vln, va, keyboard (1994)
There is No Tune, chamber chorus (1994)
Vor, wiihrend, nach Zaide, orchestra (1995) [with projections of texts by Arruga]
Notturno, string orchestra (1995) [after chamber work]
Re-Call, 23 instruments (1995)
Shofar, soprano, alto, tenor, bass and orchestra (1995)
Sequenza XII, bassoon (1995)
Outis, azione musicale (1995-96)
Kol-Od (Chemins VI on Sequenza X), trumpet and chamber orchestra (1995-96)
Sequenza XIII, accordion (1995-96)
Ekphrasis (Continuo II), orchestra (1996)
Recit (Chemins VII on Sequenza IXb), alto sax and orchestra (1996)
Alternatim, clarinet, viola and orchestra (1996-97)
Glosse, string quartet (1997)
Cronaca delluogo, azione musicale (1998-99)


WORKS BY GENRE                                                            Berio  Links     ~ top of page ~
Dramatic/Theater
Tre modi per supportare la vita (Mimusique no.2), azione scenica (1952-55)
Allez-Hop!, racconto mimico (1959; rev. 1968)
Passaggio, messa in seena (1961-62)
Esposizione, azione scenica (1963) [destroyed]
Opera (1969-70; rev. 1977)
Per la dolce memoria di quel giorno, ballet, tape (1974)
Linea, ballet, 2 piano, marimba, vibraphone (1974)
La vera storia, opera (1977-81)
Un re in ascolto, azione musicale (1979-84)
Outis, azione musicale (1995-96)
Cronaca delluogo, azione musicale (1998-99)

Orchestra
Preludio a una festa marina, string orchestra (1944)
Mimusique no.2, orchestra (1952-53) [concert version of azione scenica]
Variazioni, chamber orchestra (1953-54)
Nones, orchestra (1954)
Allelujah I, 6 groups (1955; rev. as Allelujah II, 5 groups, 1957-8)
Divertimento, orch (1958) [collab. w/Maderna; nos.2 'Scat rag' and 3 'Rhumba-ramble' (Mimusique no.2)]
Quaderni I (1959), II (1961), III (1961-62) [included in Epifanie]
Chemins IIb, small orchestra (1969-70) [rev. of Chemins II]
Bewegung, orchestra (1971)
Still, orchestra (1973, withdrawn)
Eindrucke, orchestra (1973-74)
Apres Visage, orchestra and tape (1974, withdrawn)
Encore, orchestra (1978)
Requies, orchestra (1983-85)
Formazioni, orchestra (1985-87, rev. 1988)
Continuo, orchestra (1989)
Schubert-Berio: Rendering, orchestra (1989) [on fragments of symphony by Schubert]
Fesrum, orchestra (1989)
Vor, wiihrend, nach Zaide, orchestra (1995) [with projections of texts by Arruga]
Notturno, string orchestra (1995) [after chamber work]
Re-Call, 23 instruments (1995)
Ekphrasis (Continuo II), orchestra (1996)

Soloist(s) w/Orchestra
Concertino, clarinet, violin celeste, harp and string orchestra (1949)
Variazioni 'Ein Miidchen oder Weibchen', 2 basset horns and string orchestra (1956)
Tempi concertati, flute, violin, 2 pianos and small orchestra (in 4 groups) (1958-59)
Chemins I on Sequenza II, harp and orchestra (1964)
Chemins III on Chemins II, viola, 9 instruments and orchestra (1968)
Chemins IIc, bass clarinet and small orchestra (1972, withdrawn) [rev. of Chemins IIb]
Concerto, 2 pianos and orchestra (1972-73)
Points on the Curve to Find ... piano and 23 instruments (1974)
Chemins IV on Sequenza VII, oboe and string orchestra (1975)
Corale on Sequenza VIII, violin, 2 horns and string orchestra (1975)
Selezione, piano and chamber orchestra (withdrawn) [from Concerto, 2 pianos and orchestra]
Il ritorno degli snovidenia, cello and 30 instruments (1976-77)
Concerto II (Echoing Curves), pf and orch (in 2 groups) (1988-89) [incl. rev. pts of Points on Curve to Find..]
Chemins V on Sequenza XI, guitar and chamber orchestra (1992)
Compass, ballet-recital, piano and orchestra (1994)
Kol-Od (Chemins VI on Sequenza X), trumpet and chamber orchestra (1995-96)
Recit (Chemins VII on Sequenza IXb), alto sax and orchestra (1996)
Alternatim, clarinet, viola and orchestra (1996-97)

Chorus w/Orchestra or Ensemble
Diario immaginario, chorus, orchestra and tape (1975) [radio work]
Cora, 40 voices, 40 instruments (1975-76; rev. 1977)
Duo, teatro immaginario, 2 violins, chorus, orchestra and tape (1982) [radio work]
Ofanim, female voice, children's chorus, 2 instrumental groups and live electronics (1988)
Canticum novissimi testamenti, S, S, A, A, T, T, B, B/SATB, 4 clarinets and 4 saxes (1989)
Twice upon .. ,6 groups children's voices, ob, cl, hn, tpt, trbn, vln, va, keyboard (1994)

Choral
Due cori papa lori, chorus (1946, unpublished)
O bone Jesu, chorus (1946, unpublished)
Due canti siciliani, tenor and male chorus (1948)
There is No Tune, chamber chorus (1994)

Chamber
Divertimento, string trio (1946)
Tre pezzi, 3 clarinets (1947)
String Trio (1948)
Wind Quintet (1948)
Opus Number Zoo, speaker, 2 clarinets and 2 horns (1950; rev. for wind quintet, 1951; rev. 1970)
Wind Quartet (1950)
Sonatina, flute, 2 clarinets and bassoon (1951)
Study, string quartet (1952)
String Quartet (1955-56)
Serenata I, flute and 14 instruments (1957)
Differences, flute, clarinet, harp, viola, cello and tape (1958-59; rev. 1967)
Sincronie, string quartet (1963-64)
Chemins II on Sequenza VI, viola and 9 instruments (1967)
Memory, electric piano and electric harpsichord (1970; rev. 1973)
Autre fois: berceuse canonique pour Igor Stravinsky, flute, clarinet and harp (1971)
Musica leggera, flute, viola and cello (1974) [for 70th birthday of G. Petrassi]
34 duetti, 2 violins (1979-83)
Accordo,4 groups wind instruments (1980-81)
Voci, viola and 2 instrumental groups (1984)
Call, brass quintet (1985)
Terre chaleureuse, wind quintet (1985) [for 60th birthday of P. Boulez]
Naturale, viola, tam-tam and tape (1985-86)
Ricorrenze, wind quintet (1985-87)
Nonurno (String Quartet No. .3) (1993)
Glosse, string quartet (1997)

Solo Instrument
Due pezzi, violin and piano (1951)
Sequenza I, flute (1958)
Sequenza II, harp (1963)
Sequenza III, 1 voice (1965-66)
Sequenza IV, piano (1965-66)
Sequenza V, trombone (1966)
Sequenza VI, viola (1967)
Sequenza VII, oboe (1969)
Sequenza VIII, violin (1976-77)
Sequenza IX, clarinet (1980) [arr. as Sequenza IXb, alto sax, 1981]
Sequenza X, trumpet and piano resonance (1984)
Sequenza XI, guitar (1987-88)
Sequenza XII, bassoon (1995)
Sequenza XIII, accordion (1995-96)

Piano
Pastorale, piano (1937)
Toccata, piano 4-hands (1939)
Petite Suite, piano (1948)
Cinque variazioni, piano (1952-53; rev. 1966)
Rounds, harpsichord (1964-65) [arr. for piano, 1967]
Wasserkla vier, piano (1965) [orig. for 2 pianos]
Gesti, recorder (1966)
Erdenklavier, piano (1969)
Fa-Si, organ (1975)
Les mots sonts alles, cello (1978)
Chemins V, clarinet and digital system (1980, withdrawn)
Lied, clarinet (1983)
Luftklavier, piano (1985)
Comma, Eb clarinet (1987)
Feuerklavier, piano (1989)
Psy, double bass (1989)
Leaf, piano (1990)
Brin, piano (1990)

Vocal
L'annunciazione, soprano and chamber orchestra (1945; unpublished)
Tre canzoni popolari, female voice and piano (1946-47; rev. as Quattro canzoni populari, 1946-7; rev. 1973)
Tre liriche greche, voice and piano (1946-48)
Ad Hermes, voice and piano (1948)
Magnificat, 2 sopranos, chorus and orchestra (1949)
Due pezzi sacri, 2 sopranos, piano, 2 harps, timpani and bells (1949)
Tre vocalizzi, voice and piano (1950)
Deus meus, voice and 3 instruments (1951)
El mar la mar, 2 sopranos and ensemble or piano (1952; arr. for soprano, mezzo-soprano & ensemble, 1969)
Chamber Music, female voice, clarinet, harp and cello (1953)
Circles, female voice, harp and 2 percussionists (1960)
Epifanie, mezzo-soprano and orchestra (1959-61; rev. 1965; rev. 1991-92 as Epiphanies)
Traces, soprano, mezzo-soprano, 2 actors, chorus, and orchestra (1964, withdrawn)
Rounds, voice and harpsichord (1964, withdrawn)
Folk songs, soprano and 7 instruments (1964; also version for soprano and orchestra, 1973)
Laborintus II, 3 voices, 8 actors, speaker, ensemble and tape (1965)
O King, voice, flute, clarinet, violin, cello and piano (1967-68; arr. and incl. in Sinfonia]
Prayer-Priere, solo voice (1968) [for 40th birthday of K. Stockhausen]
Sinfonia, 8 amplified voices and orchestra (1968-69) [incl. arr. of solo vocal work O King]
Questa vuol dire che, 3 female voices, small chorus, instruments and tape (1968-69)
Air, soprano and orchestra (1969) [from stage work Opera]
Melodrama, tenor, fl, cl, perc, vib, elec org, vln, vc, db (1970) [from stage work Opera ]
Ora, soprano, mezzo-soprano, small chorus, flute, English horn, 12 insts and orchestra (1971, withdrawn)
Bewegung II, baritone and orchestra (1971) [after orch work]
Agnus,2 female voices, 3 cl, drone (elec org/other sound source) (1971) [inc!. in rev. of Opera]
E vo, soprano, fl, ob, 3 cl, tpt, trbn, perc, pf, elec org, vln, va, vc, db (1972) [incl. in rev. of Opera]
Recital I (for Cathy), voice and 17 instruments (1972)
Cries of London, 6 solo voices (1973-74; rev. for 8 solo voices, 1975)
Calma, soprano and instruments (1974)
A-ronne, 8 voices (1975) [version of tape work]
Ecce: musica per musicology, voices and bells (1987)
Calma, mezzo-soprano and small orchestra (1989) [based on Calma, soprano and ensemble, 1974]
Shofar, soprano, alto, tenor, bass and orchestra (1995)

Electronic
Mimusique no.1, 1-track (1953)
Ritrano di citta, 1-track tape (1954) [collab. with Maderna]
Mutazioni, 1-track tape (1955)
Perspectives, 2-track tape (1957)
Thema (Omaggio a Joyce), 2-track tape (1958)
Momenti, 4-track tape (1960)
Visage, 2-track tape (1961)
A-ronne, radiophonic documentary, tape (1974)
Chants paralleles, tape (1974-75)
Diario immaginario, chorus, orchestra and tape (1975) [radio work]
Duo, teatro immaginario, 2 violins, chorus, orchestra and tape (1982) [radio work]


BERIO  LINKS                                                            Works by Genre      ~ top of page ~
Berio/Dubuffet - A Conversation (John Fowler)
Birthday Celebration Has Long Coda (Mary Campbell, South Coast Today)
An Encounter with Luciano Berio (lynndavidnewton.com)
Grock and the Berio Sequenza V (osborne-conant.org)
Luciano Berio (Meirion Bowen)
Luciano Berio (1925-2003) (Lynne Gagné, La Scena Musicale)
Luciano Berio - Universal Edition (Judy Lochhead, BNET)
Musical Pluralism in the 1960s: Luciano Berio and György Ligeti (Charles Lockwood, New York University in Prague)
Rohan de Saram on Berio and New Musical Horizons (Anne Ozorio, MusicWeb International)

Composer website [none at the moment]

Berio @ Wikipedia
Berio @ Wikipedia/List of Compositions
Berio @ About.com
Berio @ ANABlog
Berio @ Answers.com
Berio @ Art + Culture
Berio @ Avant Garde Project
Berio @ Classic Cat
Berio @ Classical Archives
Berio @ Classical Composers Database
Berio @ Classical Net
Berio @ composition:today
Berio @ Discogs
Berio @ The Ensemble Sospeso
Berio @ Dr. Estrella's Incredibly Abridged Dictionary of Composers
Berio @ fanfaire.com
Berio @ IMDb (Internet Movie Database)
Berio @ Infoplease
Berio @ IRCAM (in French)
Berio @ John Fowler
Berio @ Karadar Classical Music
Berio @ Kunst der Fuge
Berio @ The Living Composers Project
Berio @ Magazzini-Sonori.it
Berio @ Mode Records    here    and    here
Berio @ The Modern Word
Berio @ MusicWeb International
Berio @ musicianguide.com
Berio @ MySpaceMusic
Berio @ NationMaster
Berio @ Naxos
Berio @ The New York Times
Berio @ NNDB
Berio @ Notable Biographies
Berio @ REC Music Foundation /The Lied and Art Song Texts Page
Berio @ Universal Edition
Berio @ WQXR

Streaming Audio
Berio @ Avant Garde Project
Berio @ Classical Masterpieces
Berio @ Classical Archives
Berio @ last.fm
Berio @ Rhapsody
Berio @ Wikipedia

Recordings
Berio @ ArkivMusic
Berio @ ClassicsOnline
Berio @ Discogs
Berio @ Mode Records    here    and    here

Berio @ YouTube
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